The BHC Bulletin

The BHC Bulletin

The “attention economy” is asking the wrong question – Here is the right one:


Picture credit: Jon Tyson via Unsplash

We need to talk about Tuesday – well just about any day!

On Tuesday, the average person woke up, scrolled through their phone for eleven minutes before getting out of bed, listened to a podcast in the shower, half-watched a breakfast news programme while checking emails, watched vertical video on their commute, sat through three Teams calls, ate lunch at their desk finishing a YouTube series, caught a WhatsApp voice note, glanced at the BBC homepage, started a Netflix show at 9pm, gave up after twenty minutes, and fell asleep with an audiobook murmuring into the dark.

At some point during all of that, every major media platform, broadcaster, streaming service, social network, and content creator on the planet was competing for a piece of them.

None of them won. They all just got a slice.

That is the media landscape in 2026. And the industry is still – still – asking the wrong question about it.


“What does the future of TV and content look like?”

It’s a reasonable question. It is also, increasingly, an irrelevant one.

Because the future of media will not be decided by format. It will be decided by who earns people’s time. And time, not attention, not eyeballs, not reach, is the only currency that actually matters now.

This distinction is more important than it sounds.

The attention economy gave us a useful framework for a while. It made us think about headlines, about thumb-stopping content, about the first three seconds of a video. It produced snappier journalism, shorter clips, and a mild collective shame about the listicle. But attention was never truly scarce. People will sit through a three-hour documentary without blinking. They will read a 10,000-word piece about something they genuinely care about. They will watch the same match highlights four times. Attention is not in short supply — it just has very high standards.

Time, on the other hand, is merciless. There are 24 hours in a day. You cannot AB test your way around that. You cannot optimise it with better metadata or solve it with a content calendar. And here is what makes that so consequential right now: the number of things competing for those 24 hours has become almost cosmically absurd.

Vertical content dominates daytime viewing. Social owns the second screen. YouTube is quietly becoming television. Netflix keeps expanding into live sport, events, formats that used to belong to broadcasters. Advertisers are diversifying spend accordingly. Every platform is hunting the same prey, your time, with increasingly sophisticated weapons.

Linear decline, in this context, does not mean people stopped loving content. It means others got better at capturing attention. The audience did not leave. It redistributed.


So what separates the winners from the rest?

The companies that will define the next decade of media are not thinking in formats. They are thinking in ecosystems. The question is no longer “what show should we make?” It is “what intellectual property can we create, own, and deploy across every surface where our audience lives?”

Create IP once. Distribute everywhere. Build audiences directly, not through platforms you rent, but through relationships you own. Then expand: live experiences, merchandise, communities, new formats, global franchises. This is not a radical new idea. Disney has been doing it for eighty years. What has changed is that the barriers to entry have collapsed. A single well-constructed podcast can now seed a media brand that touches multiple formats, multiple revenue streams, and a genuinely loyal audience without a network, a transmitter, or a commissioning editor.

The organisations and companies that are winning right now understand that the question is no longer “did anyone see this?” It is “was it worth their while?” Because every piece of content, every article, every clip, every episode, every post, represents an active trade-off by a real human being. They are giving you minutes. Actual, irreplaceable, finite minutes of their one and only life. That is an extraordinary act of trust. The brands, broadcasters, and creators that treat it like one are the ones building durable audiences. Everyone else is just filling a feed.


The media industry loves a good format debate. Streaming versus linear. Short-form versus long. Vertical versus horizontal. These are interesting conversations. They are also, largely, distractions.

The real debate is simpler and harder: are you worth someone’s Tuesday?

If the answer is yes, reliably, consistently, in a way that makes them come back, you have a media business. If the answer is “probably, if they happen to find us,” you have a content operation with a strategy problem.

Time is the battleground. Earn it or lose it. There is no third option.

Tick toc.

Comms in 2026 – More substance. More Quality. More focus.

Via  BoliviaInteligente on Unsplash

Our take on what’s coming in 2026…

At BHC we pride ourselves on being a consultancy that is always forward-thinking, and can engage honestly with our clients. 2025 was immense for the world of communications…but we think we haven’t seen anything yet and the speed of change is accelerating.

As we kick off the new year, we find ourselves looking to the 12 months ahead and asking ourselves, what does 2026 look like for news and communications?

Here are some of our predictions…

These trends will reshape how every organisation communicates, how audiences consume information, and how trust gets built or destroyed in public conversation.

Three things jumped out:

The traffic cliff is real – and it’s coming for everyone

Publishers expect search traffic to drop more than 40% over the next three years. Google referrals are already down a third globally. AI overviews are eating clicks. Chatbots are becoming the new front door.

This isn’t just a journalism problem. If you’re a business relying on content marketing, SEO, or organic discovery to drive leads, awareness, or engagement – the ground is shifting under your feet. The old playbook of “create content, optimise for search, wait for traffic” is dying faster than most communications teams have realised.

The question: how do you show up when people aren’t searching anymore – they’re asking?

Distinctiveness beats scale

Media leaders are saying the same thing: more original investigations, more on-the-ground reporting, more human stories, more analysis. Less generic news, less evergreen content, less commoditised information that AI can summarise in three bullet points.

This applies beyond media teams. In a world where AI can generate infinite “content,” the only thing that cuts through is content that couldn’t have been created by a machine. Original thinking. Real expertise. Lived experience. A distinctive voice that’s recognisably human.

If your comms strategy is built on generic thought leadership, repackaged trends, or surface-level commentary – you’re already competing with an algorithm that does it faster and cheaper.

The creator economy is eating traditional media’s lunch

70% of news executives are concerned that creators are taking time and attention away from publisher content. 39% worry they’re losing top talent to the creator ecosystem.

But here’s what matters for the wider communications industry: creators aren’t just competing with journalism. They’re competing with all institutional voices. Politicians, CEOs, brands, and organizations are all facing the same challenge – audiences increasingly trust personalities over institutions.

The response? Three-quarters of publishers say they’ll get journalists to behave more like creators this year. They’re putting faces to bylines, building platform personalities, hiring young talent who understand TikTok and Reels.

For corporate communications teams, the question is: who are your creators? Which voices inside your organization can build authentic connection? And are you giving them the permission, tools, and training to show up in the places your audiences actually are?

What this means for communications professionals

If you’re working in PR, corporate comms, public affairs, or stakeholder engagement, these trends should be setting off alarm bells:

  • Your carefully crafted press releases are competing with AI summaries and creator commentary
  • Your CEO’s LinkedIn post is going head-to-head with influencers who’ve built trust through personality, not position
  • Your media strategy can’t rely on traditional gatekeepers when audiences are bypassing them entirely
  • Your “content strategy” needs to be about distinctiveness, not volume

The organizations that will win aren’t the ones with the biggest content engines or the slickest SEO. They’re the ones with something genuine to say, said by people audiences actually want to hear from, in formats designed for how people actually consume information today.

Which means: less corporate polish. More human voice. Fewer press releases. More vertical video. Less broadcasting. More conversation.

The internet is basically one big video player now. Podcasts are part of the daily routine. People expect stories to land quickly, clearly, and creatively. The old comms playbook doesn’t work anymore.

The question is: are you ready to rewrite it?

Let’s talk…

Is You Tube the new babysitter?

Or can brands really gain value.

Photo by Javier Miranda on Unsplash

Welcome to the BHC Bulletin…news from mediaville and  beyond….

If you are a regular reader of the Bulletin you know we have a huge interest in YouTube. The audience is there and so are our clients and partners.

We pay a close interest and this week there has been some real deep-down analysis of who is watching what on YT by BARB – the UK audience measuring company.

And it makes fascinating reading and has created a great deal of analysis. But like all views – many should come with a pinch of salt.

YT has for a long time now positioned itself as the future of television – if this research shows anything maybe YT is the future of babysitting!!!

Look at this chart from BARB:

Courtesy: BARB

Ok – a microsecond read shows its mainly kids shows. Nothing wrong with that – but it’s a clear look at where the volume is viewing.

The chart shows the top 20 channels, the top 200 were surveys, but that info is only available to subscribers of the service who pay.

Those that have seen it say as C21 reported:

“The overall list also features channels from sports bodies like FIFA and WWE, UK and international news and politics such as Fox News and Times News, entertainment like Doctor Who and Warner Bros Entertainment and popular YouTubers such as MrBeast, Sidemen and Topper Guild2.

To choose the 200 YouTube channels, Barb worked with SeeViews, an independent business that specialises in planning ad campaigns on YouTube. 

The selection was primarily based on volumes of viewing and considered whether the channels meet industry-agreed standards for brand safety. The weekly report doesn’t feature YouTube channels operated by TV companies, as Barb includes this viewing in the audience figures it reports for such firms, which it began doing in 2021.”

So, what else can we take from this – well it shows how vast You Tube and the video world is. This data represents only 0.3% of viewing. You Tube (and all other VoD platform have long-tails of content!)

Full article here:

http://www.c21media.net/news/barb-starts-reporting-tv-set-viewing-of-youtube-channels-in-world-first-initiative/

But here’s a real gem from The Media Leaders article on this:

“Take MrBeast. He’s YouTube royalty, with 400M+ subscribers… But the perception vs reality is stark. In the UK, his channel reaches just 319,000 weekly TV viewers (4+), almost exactly the same as BBC3 Parliament.”

Full article here:  

https://uk.themedialeader.com/barb-lifts-the-lid-on-youtubes-viewership-reality/

So is You Tube really television? 

I think the question is now irrelevant – programming, long form, short form, professional or user generated is everywhere. 

The tech has made the boundaries close to impossible to define. 

So why the Bulletin on this – well for our clients, cutting out the gatekeeper of commissioners and editors is vital to reach the audience. We encourage all clients to experiment with video content; some take to it naturally, others with our guidance find their voice.

The old phrase about turning up is vital – you can’t post 10 videos and go home, it’s a routine, daily, weekly, monthly episodic – it depends on the client, the industry and the message.

We work with library owners and get their archive in front of a new audience. One recent project has fabulous documentaries shown only once on TV but now being viewed around the world on TY and being monetized.

Other businesses are now getting emails from around the world trying to source good or services.

Is You Tube TV – yes and no – but its sure good for business who are confident with content.

If you want to learn more visit us at: www.beechhillconsultancy.com

More soon from the BHC Bulletin, for now enjoy the rest of the summer.

Public Service Broadcasting in Crisis?

The Race Against Time to Stay Relevant: Broadcasting in Northern Ireland – Navigating the Next Decade

Photo by Alan Findlay on Unsplash

As global platforms reshape the way audiences consume content, the future of Public Service Broadcasting (PSB) in Northern Ireland and the UK’s devolved nations is entering a critical decade. While the digital transformation of media is not new, its accelerating pace, driven by changing viewing habits, algorithmic curation, and financial disruption, has brought PSB to an inflection point.

This was the backdrop for a recent high-level event at the Ulster University in Belfast, where regulators, broadcasters, politicians, and academics gathered to assess how PSB must evolve if it is to remain relevant, trusted, and truly public.

More than one speaker made it clear there could be only 10 years to fix this issue – and that’s about the time of one or two legislative cycles – so time is tight. Maybe the BBC Royal Charter renewal in 2027 will put some focus on the issue – but only a very confident personal would view a workable solution being delivered on that timeframe.

The Evolving Role of PSB

At its core, PSB is meant to serve all audiences to inform, educate, and entertain with integrity and accessibility. Recently Public Service Media has replaced PSB as the phrase as it’s meant now to cover all platforms of distribution – online as well as broadcasting. 

Yet in a world of personalised media feeds and streaming services, the idea of universality is under pressure. Traditional linear broadcasting is giving way to on-demand viewing, and with that comes a shift in how content is funded, prioritised, and accessed.

For PSBs, this evolution brings a new challenge: how to maintain their public service remit when competing in a market that values volume, scale, and short-term engagement. 

Entertainment formats tend to dominate VOD strategies, leaving genres like investigative journalism, arts, and regional storytelling vulnerable. In Northern Ireland, where identity, representation and inclusion carry heightened importance, this erosion could have serious consequences for civic trust and democratic engagement.

In NI the local newspapers – especially the Irish News – top the league tables for circulation figures (although all are on a downward slope). Local TV news programmes on both the BBC and commercial UTV are some of the highest ratings in the UK. (For full transparency I was the Managing Director of UTV for more than a decade.) Plus, local radio is still very strong, still local, and has well respected newsrooms.

So Northern Ireland is in a good shape compared to much of the UK. However, in a totally digital world, where linear TV is switched off, regional material comes much harder to find in an IP delivered world, and I fear the cliff edge is close, and the fall much steeper than for many other parts of the UK, who have already started the drop!

With fantastically high broadband speeds coving a significant proportion of the population Northern Ireland could easily be chosen as a test area for IP only broadcast delivery. It was the last region of the UK to have analogue tv transmitters turned off, but it could be the first to have ALL TV transmissions go dark.

The threats are serious, growing and unlike broadcasting regulation/legislation in the past which has focused on domestic issues, these issues are global in scale and therefore far more difficult to address.

Three Strategic Threats to PSB

  1. Economic Fragility and Funding Models

The financial foundation of PSB is weakening. Declining licence fee revenue coupled with increased reluctance to pay and strong feeling the licence fee is regressive taxation, fragmented advertising markets, and political resistance to new funding mechanisms are making it harder for PSBs to deliver at scale. 

In smaller nations and regions like Northern Ireland, this is felt acutely. Without ring-fenced investment or diversified revenue, there is a risk of ‘postcode PSB’ with meaningful provision available only in large population centres. “News deserts” as they are already called in the US.

  1. Platform Dominance and Discoverability

Even the best PSB content struggles to compete with the global reach and algorithmic grip of platforms like Netflix, TikTok, and YouTube. Audiences increasingly encounter public service content not on native apps or TV schedules, but through third-party aggregators, if at all. For PSB to remain relevant, discoverability must be prioritised through smarter digital strategies, cross-platform partnerships, and even regulatory mandates ensuring fair visibility. Through the new UK Media Bill, Ofcom is doing some of this work right now (again for full disclosure I sit on Ofcom’s Advisory Committee for Northern Ireland: this is written in a personal capacity), but how the platforms react is yet to be seen.

  1. Trust, Accountability and AI

In an era of misinformation and AI-generated content, the role of PSB as a trusted source of accurate, verified information has never been more vital. But trust must be earned continually, through editorial independence, transparent governance, and a demonstrable commitment to serving diverse communities. 

The next decade will also test how PSBs use AI ethically, balancing innovation with accountability.

A Distinctive Northern Ireland Context

The challenges of PSB are amplified in Northern Ireland by its political sensitivities, unique media consumption habits, and the need for programming that reflects life of distinct communities. 

Audience expectations are high, because for so long there has been overdeliver and very strong plural media.

The future of PSB here will depend on strengthening regional commissioning, investing in local talent pipelines, and ensuring that institutions like the BBC, UTV/ITV and Channel 4 are held accountable for delivering authentic, inclusive stories.

Moreover, cross-border media access particularly remains inconsistent. Improving this could enhance cultural exchange, reduce duplication, and better reflect the island’s complex identity.

Also, the market needs to remain open to new entrants with new models that focus on public service content for a digital age. No one should argue that the legacy broadcasters should be the gatekeepers to the new world, any more than the American tech companies which now hold the balance of distribution and consumption power on most devices should be.

Beyond Broadcasting: A Civic Infrastructure

What emerged clearly from the Belfast event is that PSB should no longer be viewed simply as a broadcast service it is part of the wider civic infrastructure. Like healthcare or education, it supports public trust, community cohesion, and informed citizenship. Its decline would not just reduce the range of available content; it would damage the social fabric was a view many held.

The next ten years will require bold decisions: regulatory reform, public engagement, smarter funding models, and a renewed commitment to public value. Devolved governments, civil society, and the broadcasters themselves must all play a role.

This was a superb starting point for engagement and discussion: the team at Ulster University understand the issues. Dr Phil Ramsey who organised the event has written a number of PSB tracker studies and understand the landscape as well as anyone.

For Beech Hill Consultancy, its important the future of PSB/PSM is decided in the nations where it matters most. Not around boardroom tables of London based corporates and that politicians continue to see the values of plural news sources, portrayal and representation on screen (whatever size that screen happens to be and wherever its viewed) when policy and legislation is devised.

We’d be keen for Phil and Ulster University to build an even stronger position in thought leadership and research in this space: looking at the audience, the global challenges and how others are addressing them and seeing where future business models can take us as an informed society. First stop another conference or workshop later in the year looking at possible solutions not the well-rehearsed challenges: maybe?

For Northern Ireland with its history, diversity, and complex future the stakes could not be higher.

Move over Netflix…How YouTube Became the Leading TV Platform for Long-Form Content in 2025

The Rise of Long-Form Content on YouTube

Photo by Christian Wiediger on Unsplash

Welcome to the latest BHC Bulletin, this is another single-subject note, on the rise of YouTube as a “channel” in its own right. How the audience is consuming content, and why you as a business should be thinking about developing a channel with your personal or corporate content.

YouTube has undergone a significant, quiet, yet quite deliberate transformation, evolving from a platform dominated by short, user-generated clips to a leading destination for long-form content, or linear television

This shift has positioned YouTube as a formidable player in the television landscape, rivalling traditional broadcasters and streaming services – indeed in the US YT gets more eyeball minutes than any other single platform or service.

Research by Digital I reported in TVTech indicates a significant increase in the consumption of extended videos on YouTube:

www.tvtechnology.com/news/long-form-content-viewing-on-youtube-rose-8-percent-in-2024

In 2024, the average viewing time for videos lasting 30 minutes or more rose by 8 percentage points, from 65% in October 2023 to 73% in October 2024. This trend is particularly noticeable among young adults, with their long-form content viewing on mobile devices increasing from 58% to 79% in the same period.

And why’s this happening: 

It can be attributed to YouTube’s wide and varied content offerings, which range from in-depth documentaries and comprehensive tutorials to serialised shows and live streams. 

Creators are increasingly producing high-quality, long-form videos that engage audiences for extended periods, fostering deeper connections and higher viewer retention.

Beech Hill Consultancy is already working with leading independent television producers to develop You Tube channels that deliver impact, eyeballs and revenue.

YouTube’s Dominance in Television Streaming…yes really!

YouTube’s influence now extends beyond computers and mobile devices into living rooms worldwide. As of December 2024, YouTube emerged as the most-streamed platform on televisions, surpassing traditional streaming giants in viewing time. This shift is facilitated by the YouTube app’s integration into smart TVs and streaming devices,  making it easily accessible to a broad audience.

Neal Mohan, YouTube’s CEO, highlighted this transition, noting that TV screens have surpassed mobile devices as the primary medium for consuming YouTube content. In the UK, 34% of YouTube viewing time occurs on TV sets, a figure that continues to rise, especially among younger demographics. 

Our own data shows that more than 55% of the audience is watching through a TV screen – not a mobile or tablet you would instinctively expect YT viewers to be using.

In addition, our own data doesn’t have the kids watching longform but over 50’s are the core demographic for viewers. 

It’s true – YouTube has scaled back its investment in original scripted content, it continues to serve as a launchpad for creators who transition to mainstream media. 

YouTubers, such as MrBeast, have expanded their reach through collaborations with platforms like Amazon Prime Video, blending the lines between digital and traditional media. This strategy underscores YouTube’s role as a launch-pad for talent that resonates with diverse audiences. 

The Guardian has more on this here:

https://www.theguardian.com/tv-and-radio/2025/feb/18/beast-games-youtube-television

Implications for Advertisers and Content Creators

The platform’s evolution offers significant opportunities for advertisers and content creators. The rise in long-form content consumption allows for more immersive advertising experiences and sponsorships. Brands can engage with audiences through integrated content, product placements, and collaborations that align with viewer interests.

For content creators, the demand for extended videos opens avenues for deeper storytelling, comprehensive tutorials, and serialised content that can attract and retain subscribers. Monetisation opportunities are enhanced through longer watch times and diversified content offerings.

Plus, YT seems to have escaped the worst of impact of the moderation rows and changes at Meta and X – so it’s a more tolerant environment in the main.

YouTube’s transformation into a leading platform for long-form content signifies a clear and irreversible shift in how audiences consume media. Its seamless integration into television viewing habits, coupled with a diverse array of content, positions YouTube as a formidable competitor in the entertainment industry. 

As the platform continues to evolve, it offers unparalleled opportunities for advertisers, creators, and viewers alike, solidifying its status as one of the cornerstones of modern media consumption.

This MarketWatch article has much more detail on YT’s history and revenue:

https://www.marketwatch.com/story/youtube-now-dominates-tv-streaming-and-even-podcasts-heres-a-look-at-how-it-got-there-c8bd3bc1

Anyone with a content library should be looking at YT as a distribution platform – corporates, indi’s even schools and universities can create their own channels. Beech Hill Consultancy is happy to give advice and maximise brand, message and impact of any new YT venture…just get in touch: www.beechhillconsultancy.com

Gen Z is Changing Media Forever – Inside the Must-Read Report!

Picture: Channel 4 press office

Welcome to the latest blog from Beech Hill Consultancy. We look as some of the interesting, key and sometimes underreported news from communications, media and leadership. But this edition is different – it’s a single story.

One at Beech Hill we feel strongly about and is vitally important for our democracy. The availability of bias free, fact checked news on every platform for every citizen.

Chris Davis from BHC takes up the story:

This is a major wake-up call to us all, I believe…

Want to be scared ? …read this research (sample size 3000) and see what is shows – this is from a Royal Television Society/ Channel 4 event presented by Alex Mahon, the CEO of C4.

The key facts for me were:
* 52% of 13 to 27-year-olds think the UK “would be a better place if a strong leader was in charge who does not have to bother with parliament or election” versus 40% of 40 to 65-year-olds

* Fewer young people think democracy is a “very” or “fairly good” way of governing the UK (73% versus just under 90% for older generations)

* Young people are more likely to think the UK would be a better place if the army was in charge (33% versus 18%)

* Young people are more likely to think “the entire way our society is organised must be radically changed through revolution” (47% versus 33%)

* And they are more likely to have an “individualistic view of the world” where one person’s success means another’s loss.

The full event is linked to below – and the evidence should be a wake up call to the news industry (and others) that it needs to do much much more to engage, inform, build trust and truly understand the #GenZaudience that doesn’t relate to the news via papers/TV and uses a social feed for info.

What’s very clear is that GenZ is interested in the news – unlike many in the news industry who say they are “switched off”, no they are not…they are just “switching-off” because they find traditional / legacy media and how it’s delivered irrelevant.

The video is 90 minutes long and covers many angles of this debate.

Advanced Television looked at the subject of regulation of news online  in its coverage:

“Channel 4 CEO Alex Mahon has called for urgent joint industry action and new regulation to ensure young people can find verified, independent news easily on social media. The call to action follows new Channel 4 research revealing the scale of the challenges facing Gen Z in an era where platforms have “publicly announced a wanton abandonment of the pursuit of truth”.”

The article goes on to describe a “trust mark” for bona fide news orgs producing content which has basic editorial standards.

And this was Deadline’s take:

https://deadline.com/2025/01/channel-4-alex-mahon-gen-z-news-american-swamp-1236272728/

The majored on the angle of Mahon’s comments about a news-swamp.

As an industry news is struggling – big tech has taken advertising and eyeballs but given little back. It amplifies conflict and suppresses legacy media.

And on the subject of legacy media Sky News announced a new, digital premium future…more here:

In the UK as Reuters have shown in their annual news survey – the audience is very resistant to paying for news. This is one digital transformation to watch closely.

More next time from the BHC Bulletin – and for all your business comms, newsroom development, corporate thought leadership issues, please contact Beech Hill Consultancy. 

www.beechhillconsultancy.com

Lost culture through kids tv, the beginning of the end of linear broadcasting and a little bit of Bully…

Picture via: rawpixel.com on Freepik

Welcome to the latest update on the less reported media and communication news from Beech Hill Consultancy. 

We hope you find something of interest in the stories we’ve chosen including the possible end of linear TV in the UK, after streaming wars comes streaming arguments, and the how culture is being lost in kids tv.

One of Beech Hill Consultancy’s current projects is with a team looking to launch a kids streaming service out of Europe. They wants to ensure that content from domestic cultures are delivered to kids rather than US cultures, characters and accents. 

And clearly it’s a good solid business plan as research from Ampere Analysis shows that households with children are less likely to cancel streaming service subscriptions than those without them. 

Olivia Deane, Research Manager at Ampere Analysis, stated in her paper: “As a result, streamers are scooping up kids’ titles to appease this influential audience… with streamers nearing market saturation in Western markets, retaining subscribers is more important than ever.”

The difference in churn in households with kids as opposed to not having kids is only 8% – but look at that over 10s of millions of subscribers and the commercial difference is obvious.

A comparison of pie charts

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Report Highlights:

  • Children & Family titles are among the most affected by the global slowdown in commissioning experienced between 2022 and 2023. The number of Children & Family TV titles announced during that time fell by 15 per cent globally
  • Most of the Western European commissioners (29 per cent) that saw growth in Children’s commissioning between 2022 and 2023 were public broadcasters
  • Children’s content based on existing ideas has also proven to be more robust during the global slowdown. Children’s book adaptations fell by just 9 per cent between 2022 and 2023 versus a 15 per cent decline in all global Children’s TV content over the same period

There’s more from Ampere Analysis here:

https://www.ampereanalysis.com/insight/children-reduce-churn-for-streaming-services

I like research that maybe states the obvious – but sometimes by stating the obvious it points out an issue that needs a solution.

One such piece of research is from EE and it reveals the average UK household has 18 TV arguments a week, as families row over the remote, debate what the kids can watch, and bash heads over bad viewing habits.

EE’s study reveals that the average British households are spending two-and-a-half hours a week arguing over what to watch 

This amounts to five-and-a-half days per year.

According to EE, TV is now a bigger bone of contention in many households than other common arguments. 

As quoted in the EE media release:

Psychologist and TV presenter, Emma Kenny, commented: “Disagreements over TV choices stem from the differing needs and preferences of each individual. Television is a shared activity, yet each family member may seek something unique from it, whether it’s relaxation, excitement, or intellectual stimulation. These differences can create tension when everyone’s needs aren’t met simultaneously.” 

And

Kelly Engstrom, Brand and Demand Generation Communications Director at EE, added: “Our research into the nation’s viewing habits has shown just how difficult it now is to navigate countless streaming services and settle on something to watch, especially in busy households where viewing needs are so changeable. For most people in the UK, TV is a passion not a pastime, so switching on the box should always feel a bit special, and help to dissolve household tension, not create it.” 

There’s more on this as reported by Advanced Television:

and as Chris Davis from Beech Hill Consultancy suggests there may be more rows as the UK Government makes plans for the possible switch of linear / traditional television.

“ The UK government is to scrutinise the future of linear TV broadcasting, as new research shows that some viewers could be excluded from the general shift towards online viewership.

Senior representatives from Ofcom, TV broadcasters, infrastructure operators and organisations representing audiences will form a new working group, convened by Media Minister Stephanie Peacock MP. It will consider how all viewers, including older people and those without Internet connectivity on their TV, can continue to access world-class British content as consumer habits continue to change.”

More from The Media Leader here: https://uk.themedialeader.com/government-to-scrutinise-future-of-linear-tv-amid-shift-to-digital/

And finally, one that made us smile in the office – as media companies spend billions on new and innovative content – the UK commercial broadcaster  ITV has gone back to the future with a format first rolled out in 1981 and based on the “sport” darts.

The channel is recommissioning the show Bullseye which gained a cult status for terrible prizes and (often) terrible players…

More here from ITV press office: www.itv.com/presscentre/media-releases/freddie-flintoff-hits-bullseye-itv

More media news soon – and for all your communications, leadership and content advice – just head to www.beechhillconsultancy.com

Until the next edition…

Major problem with news “turn off” and it’s getting worse.

Are we heading towards a society that can’t tell real information from fake news and disinformation? Beech Hill Consultancy looks at this month’s Reuters Global News Report

Photo by Luis Cortés on Unsplash

In a world inundated with information, the latest Reuters News report out yesterday, reveals a growing phenomenon: news avoidance. This trend, highlighted in their comprehensive global news survey, shows how and why increasing numbers of people are turning away from traditional news broadcasts and outlets. 

The report, explains some of the complex reasons behind this shift and its implications for the media industry and wider society. It also give a few pointers to how to reengage with the audience.

The Rise of News Avoidance – more than a third of people avaoid news!

News avoidance isn’t just about skipping the morning paper or turning off the evening news. It represents a significant change in how people engage with the world around them. According to Reuters’ survey, a staggering 38% of the global population now actively avoids the news, up from 29% in 2017. Younger generations and those in high-stress professions are the most prominent groups that are simply disengaged.

Emotional and Psychological Factors

One of the primary reasons for news avoidance is described as the “emotional toll” it can take on news consumers. Constant exposure to negative news: covering wars like Ukraine of the Gaza conflict, natural disasters, political turmoil – election anyone(!), and economic crises, when we are all struggling with cost of living issues, can lead to feelings of anxiety, helplessness, and even depression. And most of us have experience of this when consuming news – even as a news professional I sometimes say enough is enough and skip a bulletin or two.

The Reuters report indicates that 41% of respondents avoid news because it negatively impacts their mood. This is especially true in the context of the 24/7 news cycle and the constant presence of news alerts on out phones and social media.

Trust and Credibility Issues- a real issue for the industry.

Trust in the media has also been a significant factor driving news avoidance. The Reuters report points out that 29% of people avoid the news because they do not trust it. 

This skepticism is often fueled by the rise of fake news and the polarizing nature of many news outlets. In countries where the media is seen as heavily politicized, such as the United States and Brazil, this number is even higher, with over 40% of respondents citing distrust as a reason for news avoidance.

The digital age has brought an almost limitless amount of information to our fingertips. For some, this leads to information fatigue—a state where the sheer volume of news becomes too much to process. The Reuters report shows that 35% of individuals prefer to tune out rather than be constantly bombarded with updates, which they often find repetitive or irrelevant to their daily lives.

But while social media has made news more accessible, it has also contributed to selective exposure, where people choose to engage only with news that aligns with their views. 

The Reuters survey highlights that algorithms on platforms like Facebook and Twitter often create echo chambers, reinforcing existing beliefs and reducing exposure to diverse perspectives. Approximately 28% of respondents reported that they avoid news because it causes arguments they would rather avoid.

We are not all the same – Regional Variations in News Avoidance

In countries experiencing political unrest or economic instability, news avoidance is particularly pronounced. For instance, in parts of Latin America and Southeast Asia, over 50% of respondents reported avoiding news. In more stable regions like Scandinavia, news avoidance is less prevalent but still present due to factors like trust issues and information overload.

Major Implications for the Media Industry – some ideas to fight back

The trend of news avoidance presents both challenges and opportunities for the media industry. Traditional news outlets face the daunting task of rebuilding trust and finding ways to present news that engages rather than alienates their audience. 

The Reuters report suggests several strategies media companies might adopt:

1. Diversifying Content: Providing a mix of news that includes positive stories and solutions-focused journalism can help balance the often negative tone of mainstream news. This could address the 41% of people avoiding news due to its negative impact on their mood.

2. Improving Trust: Transparency about journalistic processes and a commitment to impartiality can help restore public trust in news organizations. This is crucial given that 29% of respondents avoid news due to distrust.

3. Tailored News: Offering personalized news experiences through apps and websites can cater to individual preferences and reduce information overload, which affects 35% of news avoiders.

4. Engagement and Interaction: Encouraging more interactive and participatory news formats, such as discussions, Q&As, and live chats, can make news consumption a more engaging experience. This could also help mitigate the effects of social media-induced selective exposure.

Is tech the saviour???

Technology plays a dual role in the trend of news avoidance. On one hand, the constant notifications and instant access to information contribute to fatigue and avoidance. On the other, technological solutions like AI and machine learning can help curate and personalize news, making it more relevant and less overwhelming for users. The Reuters report suggests that leveraging technology to better understand and serve audiences could be key to reversing the trend of news avoidance.

The Reuters News report on news avoidance offers a crucial insight into the ever changing landscape of news consumption. As more people choose to disengage from traditional news, media organizations must adapt to address the underlying causes of this trend. 

By building trust, diversifying content, and leveraging technology, the media industry can find new ways to reconnect with audiences. Ultimately, understanding and addressing news avoidance is essential not only for the survival of traditional news outlets but also for maintaining an informed and engaged public. With major elections around the world this year – a poorly informed audience and electorate is not a great vote for democracy. 

Beech Hill Consultancy works with news organisations of all sizes to develop audiences and channels to deliver impact, revenue and engagement.

Why now contact us to discuss your news project….

Programmes, programmes everywhere and not a thing to watch!!!!!

You won’t believe the hours we waste searching…

This is latest BHC Bulletin…

Hello and welcome to the May Beech Hill Consultancy Bulletin, a short digest of the more interesting (and often under-reported) media stories and research.

This time we look at the hours we all waste finding something to watch, the deep frustrations of streaming viewers, and how European audience choice continues to be provided by the US media giants.

So first one of those pieces of research that makes you really think…Brits spend 182hrs per year searching for content, get ready for the new name “choice paralysis’!

Using multiple streaming services and debating what to watch can be time-consuming. A study by Currys uncovered how much time people spend choosing a programme or movie to watch and asked 2,018 people to understand their challenges and difficulties in selecting content.

Out of those asked, 10 percent admitted they spend up to 2 hours trying to find something to watch, with the average time spent, across all respondents, on this decision dilemma being 30 minutes a day.

For those who find themselves watching TV daily, this 30 minutes per day translates to 182.5 hours per year dedicated to the task of deciding what to watch.

Brits only give shows 34 minutes to impress them.

The study also revealed that UK viewers take a surprisingly short time to figure out if they want to continue watching a show or not, with the average decision time being 34 minutes to decide on whether to keep going.

A fascinating read with more details here:

https://www.currys.co.uk/techtalk/tv-advice/no-you-choose.html

Similar data is thrown up by professional services company Accenture Media Thrive Index which assesses the impact of reinvention strategies on media and entertainment companies’ ability to succeed financially and strategically in an increasingly challenging industry.

Key findings:

Tired of Browsing – More than a third of consumers (36 percent) say they struggle to find something entertaining to watch while 52 percent say recommended content does not match their interests.

Serial Churners – Nearly 60 percent of consumers are canceling and resubscribing to services based on the availability of desirable content. In 2023, 47 percent of consumers canceled more subscriptions than the previous year.

Shifting Preferences – Two-thirds of consumers consider user-generated content to be as entertaining as traditional forms of media. In all scenarios presented to consumers, such as “when I want something funny” or “when I want to relax,” social media and social video platforms were consistently picked over streaming video services as the media of choice.

More details on Accenture’s own website:

https://www.accenture.com/us-en/insights/communications-media/reinvent-for-growth

And finally for this month – policy makers in Europe need to sit up and take note but 85 percent of viewing time on Vod services is generated by only three services (Netflix, Prime Video and Disney+).

Of that viewing, 30 percent is of European (including UK) content. So culturally 70% of the content is non-European, much of it American.

These are the main takeaways from two new reports SVOD Usage in the European Union and Film and TV content in TVOD, SVOD and FOD catalogues – 2023 Edition published by the European Audiovisual Observatory, which is part of the Council of Europe in Strasbourg.

Even more detail from the report at Advanced Television:

And that’s it for this BHC Bulletin – for any media, comms and leadership challenges why not ask Beech Hill Consultancy for advice?

You Tube’s next battleground, where Gen Z is watching and consuming news and bad news for Pay-TV companies

The BHC Bulletin – for March.

Image by Gerd Altmann from Pixabay

Well Spring has sprung – although where I live it feels more like monsoon season….welcome to the March edit of the BHC Bulletin.

This month, we are looking at changes in the broadcast content world – what I once might have called TV, but now covers so many types of content and access points.

We focus on You Tube’s next battleground, where Gen Z is watching and consuming news and bad news for Pay-TV companies.

So first – joining Netflix, Disney and your national broadcasters – You Tube sees its next “big win” as the main household tv set.

YouTube CEO Neal Mohan has laid out the platform’s next major goals as taking an even greater share of overall television viewing time and expanding its subscription business.

“YouTube’s next frontier is the living room and subscriptions,” wrote the head of the Google-owned platform in a blog post titled Letter from the YouTube CEO: 4 Big bets for 2024.

“Viewers want everything in one place, from a live sports game to the BBC to Khan Academy and Nikki Tutorials. And they’re watching YouTube the way we used to sit down together for traditional TV shows – on the biggest screen in the home with friends and family.”

The rise of YouTube as a powerhouse of living-room content consumption has been a growing talking point in recent months, with media commentator Evan Shapiro last week saying it “poses a truly existential threat” to the traditional TV ecosystem as a competitor for eyeballs.

In the UK, too, brand marketing agency Essence Mediacom recently predicted that YouTube will “leapfrog” Netflix this year in terms of viewership on big screens.

C21 Media reports more on the letter and reaction here: 

For almost my entire career I’ve sat in meetings where the question has been “how do we get the next generation watch”, well recent research may point some of the way…

The next generations of consumers want to “feel a connection” with brands and creators.

News publishers should not assume young people will gravitate towards them as they get older but should act now, according to research from FT Strategies.

Researchers interviewed 45 news consumers aged between 18 and 24 in India, Nigeria and the US and identified six approaches publishers can take to attract younger audiences:

  • build direct relationships with audiences “by partnering with creators, empowering editorial talent to share their stories and elevating young journalists”
  • add personalised and customised experiences with filtering and algorithmic tools
  • produce more social-first content
  • use accessible language and less formal tones
  • create content in new formats
  • and make greater use of solutions journalism.
  •  

The 2023’s Reuters Institute Digital News Report found that 18 to 24-year-olds are going to social media rather than publisher websites for news, and the FT Strategies report said it was wrong to assume they will change their habits as they get older.

More here from Press Gazettes coverage:

https://pressgazette.co.uk/publishers/digital-journalism/ft-strategies-medill-young-news-audiences/?utm_source=substack&utm_medium=email

Back to You Tube and Gen Alpha audiences – see what I did there, linking the top two stories…..?

Precise TV, the contextual video company, and Giraffe Insights, a kids and family research agency, have released their latest Precise Advertiser Report: Kids (PARK). 

The report unpacks the media consumption habits and purchase decisions of parents and kids aged two to 12 years old, aka Generation Alpha.

The Key findings are:

  • The average child aged 2-12 years old watches 106 minutes of YouTube daily.
  • 95 per cent of family’s co-view and nearly 50 per cent co-view every day.
  • 7 in 10 co-view when watching YouTube on CTV and more than 35 per cent watch with 2 or more people.
  • Paramount has achieved high ad recall rates against popular children’s shows such as Paw Patrol and SpongeBob SquarePants.  
  • Kids prefer mobile and tablet gaming over console gaming – 60 per cent of kids play mobile or tablet games, with Roblox, Lego and Super Mario topping the list of mobile and tablet games that kids play.

To read more: 

And finally, some sobering news for those in the Pay-TV world…

Millions in Western Europe are turning off their Pay-TV subscriptions. Western Europe will lose nearly 9 million Pay-TV subscribers between 2023 and 2029 to reach 93 million – down by 8 per cent, according to the Western Europe Pay-TV Forecasts report from analyst firm Digital TV Research. This is nowhere near as bad as the US as Pay-TV penetration will still be 53 per cent by 2029 – down from 58 per cent in 2023.

More at:

That’s it for the March BHC Bulletin – more next month. And for all your media, comms and leadership challenges, why not contact Beech Hill Consultancy to see if our insight and experience can help.

Until next time.